Disclosure of the Everyday: Undramatic Achievement in Narrative Film

achieved activity Alfred Hitchcock allows Andula appear aspects audience become behaviour Blonde Bordwell boredom camera Cavell's Chapter characterised characters cinema close-up Comedy of Remarriage Conte de printemps contrasts conveys Countess Country Priest crucial David Bordwell depiction dialogue diary discussion drama emotional emphasis Eric Rohmer everyday example expression face feelings film's frame gesture head human Ibid Igor interaction Jeanne Jeanne's Kyōto Late Spring locations London looking Loves Max Ophüls medium medium shot melodramatic Míla mise en scène moments movement moves mundane narration narrative Natasha Noriko offscreen ontology ordinary patterns perspective play plot possibilities precisely relationship repetition reveal Robert Bresson routine says scenarios scepticism Scottie sense sequence Séraphita shot shows significance situations Smith Goes soldiers Somiya soundtrack Stanley Cavell story style Tale of Springtime theatricalisation throughout the film train two-shot Umberto D understanding undramatic films University Press viewer visual window woman women