In Search of TheaterA portrait of the European and American theatre in the turbulent and seminal years following World War II. |
Contents
I | 3 |
II | 23 |
III | 38 |
IV | 47 |
V | 57 |
VI | 67 |
VII | 80 |
VIII | 91 |
XVI | 196 |
XVII | 215 |
XVIII | 233 |
XIX | 251 |
XX | 266 |
XXI | 281 |
XXII | 296 |
XXIII | 315 |
IX | 102 |
X | 113 |
XI | 134 |
XII | 144 |
XIII | 161 |
XIV | 174 |
XV | 184 |
XXIV | 327 |
XXV | 342 |
XXVI | 365 |
XXVII | 381 |
XXVIII | 394 |
XXIX | 404 |
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Common terms and phrases
Abbey Abbey Theatre acting actor æsthetic American Artaud artist asked Astrov audience Barrault Bernarda Brecht Broadway Chaplin character Chekhov Comédie Française comedy Copeau critics dance Decroux dialogue director drama dramatic art Eduardo Eduardo de Filippo emotion fact feeling film French German theater gesture give Graham Hamlet human Ibsen Iceman Cometh idea illusion interest Irish Italian Jean-Louis Barrault Joan Jouvet less Liolà living look Lorca Martha Graham matter means melodrama mime Miss Molière Monsieur Verdoux movement nature never O'Neill pantomime Paris performance perhaps Pirandello plate play playwright poetry present production puppet realism reality role Scapin scene seems seen sense Shakespeare Shaw Shaw's social sort speak spectator speech spirit stage Stanislavsky Stark Young story Strindberg style symbol Synge talk theatrical things tion Totò tradition Uncle Vanya whole Wood Demon words writing Yeats Yeats's Yelena York young