Louis Armstrong, in His Own Words: Selected Writings

Front Cover
Oxford University Press, 2001 - Art - 255 pages
Trumpeter. Singer. Actor. Entertainer. In his life, Louis Armstrong thrilled audiences worldwide and influenced countless musicians. But beyond being a revolutionary musician and an enchanting stage personality, Louis Armstrong was a writer--and he was prolific.

This unparalleled collection of Armstrong's candid writings reveals a side of the artist not widely known to his fans. With idiosyncratic language and punctuation that recalls his musical virtuosity, Armstrong presents his thoughts on his life and career--from abject poverty in New Orleans to playing in the famous cafes, cabarets, and saloons of Storyville; from his big break in 1922 with the King Oliver band to his storming of New York; from his breaking of color barriers in Hollywood to the infamous King of the Zulus incident in 1949; and finally, to his last days in Queens, New York.

Along the way, these writings reveal Armstrongs honest, and often controversial, opinions about racism, marijuana, bebop, and fellow jazz artists. Whether a devoted Armstrong fan or a jazz neophyte, everyone will find here an illuminating, unvarnished portrayal of this truly compelling man.

 

Contents

Louis Armstrong + the Jewish Family in New Orleans La
3
2
37
Letters to Robert Goffin May 7 and July 19 1944
77
The Satchmo Story early 1959
111
Jazz on a High Note 1951
127
II
145
Lombardo Grooves Louis 1949
164
Letter to LCpl Villec 1967
169
Our Neighborhood ca 1970
176
Goodbye to All of You 1969
189
Bibliography of Writings by Louis Armstrong
221
First issued as an Oxford University Press paperback 2001
224
Annotated Index of Proper Names Places Songs and Shows
229
Includes bibliographical references p and index
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About the author (2001)

Louis "Satchmo" Armstrong is considered one of the most innovative American jazz trumpeters of his era and one of the great ambassadors of American jazz. Armstrong began his career in New Orleans, where, as a young boy, he was a street singer and learned to play the trumpet. In 1922 he moved to Chicago and joined the jazz orchestra of Joe "King" Oliver. He quickly became noted for his improvisational style and raised the importance of solo performances in jazz. By the late 1920s, Armstrong led his own jazz ensemble, called the Louis Armstrong Hot Five, which later became the Hot Seven. As he gained in popularity, Armstrong made numerous recordings and performed around the world. He had a number of hit records, including "Hello, Dolly" and "Mack the Knife." He also appeared in Broadway shows and in films. His raspy baritone voice and brilliant trumpet playing combined to make an unforgettable musical sound.

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