Myself and the Theatre

able acting action actor actress actual appear artistic audience become better called character costumes course critic desire direct Director dress effect emotional engaged English expression fact feelings gestures girl give House ideas images imagination Imperial Theatres important instance interested Italy Komisarjevsky later leading less lighting lines living London look managers manner means merely methods Meyerhold mind Moscow move movements natural never night object once Opera performance Petersburg play possible present producer realistic reason rehearsals remain result rhythm Russian Sarah Bernhardt scene seemed sets sincere sister sitting Soviet speak stage Stanislavsky star started success tell Theatre theatrical thing thought told took train tricks trying understand usually voice wanted whole written young