The Scorsese ConnectionMartin Scorsese's films ignite connections, illuminating memories and moments from other movie-going experiences. This daring book explores the way he "remakes" other movies ( Raging Bull replays The Red Shoes; Taxi Driver mirrors The Searchers) and how we absorb and make sense of these films. |
Contents
Meditation on Violence | 11 |
A Glitter of Putrescence | 32 |
Cracking Up | 69 |
Its Not Blood Its | 115 |
Creature from the Black Leather Lagoon | 167 |
Times Covetousness | 222 |
Notes | 229 |
Filmography | 253 |
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Common terms and phrases
acting actor Alice Doesn't Live anxiety audience ballet becomes begins Blue Velvet body Cahiers du Cinéma camera Cape Fear character cinema close-up colour compulsive credit sequence dancing Debbie Deleuze desire Dorothy dream enacts Ethan Edwards evokes fantasy feel fiction figure film flash flashback frame Freud genre gesture girl gloves GoodFellas histrionic Hollywood horror Hunter Laughton Live Here Anymore London look Martin Scorsese masculinity Max Cady Maya Deren memory Mitchum move movie narrative night Niro object obsessive opening paranoia Paul Paul Hackett Paul's performance perverse play Powell Raging Bull red prologue Red Shoes remember repetition Robert De Niro Robert Mitchum Scar scene Scorsese's screen Searchers sensation sense sexual shot sound space story studio takes Taxi Driver Technicolor television tells theatre theatrical tion touch Travis Bickle Travis's turns uncanny viewer voice watching widescreen Wizard of Oz woman York