Theatre of War: Comments on 32 Occasions

action actor actually artist audience Azdak Baal become Bertolt Brecht BRACK Brecht's play Brechtian called Candida Caucasian Chalk Circle comedy critics death director drama dramatic art dramatist dream Edward emotional Emperor Enrico IV Eugene O'Neill fact father feel final Galileo Galilei Galy Gay Gaveston ghosts give Grusha Hedda Henry hero human Ibsen Iceman Iceman Cometh idea illusion Kattrin kind later Laudisi less live Long Day's Journey Madama Major Barbara Man's Marlowe's means melodrama modern Mortimer Mother Courage Mourning Becomes Electra O'Neill's passive perhaps person philosophy Pirandellian Pirandello playwright plot poet present problem Prologue protagonist psychodrama question relationship role Saint Joan scene seems sense Shavian Shaw's Six Characters social speech spontaneity stage story superman sure talk theatre theatrical therapy thing thought Threepenny Opera tion tragedy tragic well-made play whole woman word write young