Masculinity and Western Musical PracticeIan D. Biddle, Kirsten Gibson How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. |
Contents
Introduction | 15 |
Music and Masculinity in the Middle Ages | 21 |
Music Melancholy and Masculinity in Early Modern England | 41 |
Monteverdi Voicing Virility | 67 |
Haydn and the Consequences of Presumed Effeminacy | 95 |
Virile Music by Hector Berlioz | 113 |
Introduction | 135 |
Masculinity Nationalism | 141 |
Edward Elgar and the Pressures | 161 |
Hellenism the Divine and Ideal Masculinity in Manuel de Fallas | 209 |
Introduction | 227 |
Modernist Investments in | 259 |
Tippetts Aesthetic Views | 279 |
305 | |
323 | |
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Common terms and phrases
aesthetic artist associated Atlántida bass Beethoven Berlioz body Brahms Brahms's Burton Cambridge cantata Cavalleria century chapter classical Claudio Monteverdi composer conception Cone's constructions context creativity critical cultural Der ferne Klang discourses divine Early Modern Eduard Hanslick effeminacy effeminate Elgar emotional English erotic essay example Falla female feminine feminization fetish figure Franz Schreker gender genius German Hanslick Haydn History hocket homosexual Ibid idea ideal identity ideology imagination listener London Madrigali guerrieri male manly Manuel de Falla medieval melancholy melody Michael Tippett modernist Monteverdi movement Music Theory musicians musicology Musik Nietzsche nineteenth nineteenth-century Ogni amante opera Palestrina particular passion performance perhaps Pfitzner picturesque Pietro Mascagni political Renaissance Rinuccini's role sense sexual singer singing social sonata sonata form sound spirit studies style suggest Susan McClary symbolic Symphony theme Tippett Tippett's Tosh tradition trans Verismo virility vocal voice in song Wagner woman women writing York