Film Policy: International, National, and Regional PerspectivesAlbert Moran Film Policy is the first comprehensive overview of the workings of the international film industry. The authors examine film cultures and film policy across the world, explaining why Hollywood cinema dominates the global film market, and the effects of the rise of television and video on the international industry. |
Contents
EVOLUTION AND COMPETITION IN THE AMERICAN VIDEO | 39 |
SELLING TELEVISION | 62 |
GATT THE SCREEN | 72 |
THE CASE | 85 |
National film policies | 99 |
FILM POLICY IN LATIN AMERICA | 128 |
SHIFTING CURRENTS | 148 |
CINEMA POLICINGY IN INDONESIA | 172 |
Other editions - View all
Film Policy: International, National, and Regional Perspectives Albert Moran No preview available - 1996 |
Common terms and phrases
affiliates American film argued Asian audience audiovisual Bombay Britain British Film British Film Institute broadcast network cable television Canada Canadian censorship Censorship Review Committee cent centre Channel co-productions commercial companies competition context costs countries cultural industries cultural policy Dermody and Jacka director discourse distribution distributors domestic dominant Eady levy economic emergence entertainment Europe European exhibition exhibitors feature film film and television film and video film industry film policy film production filmmakers financing French funding GATT global Griffith University Hollywood identity important increased independent India indigenous Indonesian films investment Latin America London major Maori million motion picture MPEAA national cinema national film nationalist NFDC political programming Quebec recent regional arts boards satellite screen quota sector Singapore Singaporeans social Straits strategies Studies television stations theatres theatrical trade Warner Warren Publishing