A Treatise on Painting |
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againſt alfo alſo angles appear aqua fortis beautiful becauſe bending cauſe centre CHAP compofition confuſed dark darker darkneſs defign degree diminiſh diſtance drawing Du Frefne Duke equal exprefs faid fays fecond feen fhades fhadows fhall fhew fhoulders fide figure fimilar fimple finiſhed firft firſt fituation fize fome Frefne ftraight fubject fuch furface furround greateſt ground head himſelf houſe increaſe interfect itſelf J.Taylor High Holborn lefs legs Leonardo Leonardo da Vinci leſs loft Lomazzo meaſure Milan moft moſt motion muft muſcles muſt Nature neareſt neceffary obferve object opake body oppofite painted painter perſpective picture placed Plate poffeffion pofition Pompeo Leoni preſent propofition proportion publiſhed Published by J.Taylor purpoſe raiſed reafon receive the light reft repreſent ſay ſeems ſeen ſhades ſhall ſhould ſky ſmall ſome ſpace ſtudy ſuch ſuppoſe theſe thick air thickneſs thofe thoſe tranflation tranſparent treatiſe uſe Vafari Venturi Vinci wiſh