A Dissertation on the Rise, Union and Power, the Progressions, Separations and Corruptions of Poetry and Music |
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Action affigned affumed Amuſement ancient GREECE appears arife ariſe ARISTOTLE arofe aroſe barbarous Bards becauſe beſt Caufe Cauſe Character Choir Circumſtance Comedy compofed Compofition Confequence Conteſt Corruption Courſe Cuſtom Dance dramatic earlieſt effential Epic eſtabliſhed Expreffion facred faid fame favage feems fimple fing firft firſt fome Form ftill fucceeding fuch fung fuppofed Genius Gods Greek Gymnaftic hath Hence Heroes Hiftory higheſt himſelf HOMER Hymns Iliad Inftruments inſtead itſelf Kind Legiſlator leſs Lyre Manners Meaſure Melody and Song moft Morals moſt Motets Mufic Muficians Muſic muſt natural neceffary Numbers obferved occafionally Opera Paffage Paffions Perfon Periods PLATO PLUTARCH Poem Poet poetic Poetry and Mufic Power Praiſes preſent Principles Profe Progreffion Progrefs Purpoſe Queſtion racter Reaſon Repreſentation Reſpect Rife Riſe Rythm Saltatione Sect ſeems ſeen ſeparated ſeveral ſhall ſhould ſome Species ſtill STRABO Subject ſuch Taſte thefe themſelves theſe THESPIS thofe thoſe Tragedy tragic Union uſed Verfe whofe Writer