1 page matching "This was followed by an instrumental chorus called the" in this book
Results 1-1 of 1
What people are saying - Write a review
We haven't found any reviews in the usual places.
Dance Secular Dance Devotional
Dance and the Temple Cola Period
2 other sections not shown
Aadal Abhinaya accompanied Adavu Agama Alwars ancient Tamil Araiyars artistes Bhagavata Melam Bhakti Bharata Bharatanatyam Bhava called century Cidambaram Cola composed compositions concept courtesan cultural dance and music dance-dramas Dasis deity described Devadasis Devaradiyar dramatic enacted expression festival girls goddess Gopuram Guru honour inscription inspired Karanas Kauttuvam King Krishna Kshetragna Kuchipudi Kurathi Kuravai Kuravanji Natakams Kuttu literary Lord Madhavi Mahratta mentioned mode of dance movements Mudra music and dance musical instruments Muttamizh Nagaswaram Nattuvanars Natya Sastra Navasandhi Nayanmars Nrtta pada varnam patronage performed played poetry poets portrayed praise presented Raga Raghunatha Nayak Rasa recital referred reign rhythm right upto role royal Sahaji Sahitya Saints Saivite Sanchari Bhavas Sangam Sangita Sanskrit Sastra sculpture Serfoji Sevai Silappadikaram singing Siva songs South Indian Srirangam Srngara Tala Tamil country Tamil Nadu Tandava Tanjavur technique Telugu temple service Tevaram Tiruvarur Tolkappiyam tradition Tulaja Tyagesa Vaishnavite varnam verses Vijayanagar Vijayaraghava women worship Yakshagana