Louisa May Alcott on Race, Sex, and Slavery

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UPNE, 1997 - Fiction - 101 pages
Louisa May Alcott championed women's causes in gothic tales of interracial romance and in newspaper articles published during the Civil War. Drawn from her service as a nurse in a Union hospital as well as from her radical abolitionist activities, these writings allow Alcott to comment boldly on unstable racial identities, interracial sex and marriage, armed slave rebellion, war, and the links between the bondage of slaves and the conditions of white womanhood. A comprehensive introduction situates Alcott and her family within the network of antebellum reformers and unmasks her personal and literary struggles with the boundaries of race, sex, and class.
 

Contents

Nellys Hospital
29
Colored Soldiers Letters
41
An Hour
47
My Contraband
69
Elisha Harris Chapter 10 of The United States
87
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About the author (1997)

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life.