Deleuze: A Guide for the PerplexedContinuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Gilles Deleuze is undoubtedly one of the seminal figures in modern Continental thought. However, his philosophy makes considerable demands on the student; his major works make for challenging reading and require engagement with some difficult concepts and complex systems of thought. Deleuze: A Guide for the Perplexed is the ideal text for anyone who needs to get to grips with Deleuzian thought, offering a thorough, yet approachable account of the central themes in his work: sense; univocity; intuition; singularity; difference. His ideas related to language, politics, ethics and consciousness are explored in detail and - most importantly - clarified. The book also locates Deleuze in the context of his philosophical influences and antecedents and highlights the implications of his ideas for a range of disciplines from politics to film theory. Throughout, close attention is paid to Deleuze's most influential publications, including the landmark texts The Logic of Sense and Difference and Repetition. |
Contents
1 | |
9 | |
2 The MovementImage | 33 |
3 Art and time | 78 |
4 Art and history | 93 |
5 Politics and the origin of meaning | 115 |
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Common terms and phrases
action affect affection-image allows already alter Anti-Oedipus become Bergson body without organs brain capitalism cinema books colour concept connections create creation creative Deleuze and Guattari Deleuze insists Deleuze's Derrida desire deterritorialization Difference and Repetition duration emergence encounter essence example exchange experience expression extended Félix Guattari film flows genesis Gilles Gilles Deleuze given Guattari argue Henri Bergson history of cinema idea imagine immanent inhuman intensive intuit Jacques Derrida Kant Lacan live London longer machines matter memory mind modern modernist move movement movement-image narrative object open whole perceived perception phenomenology plane of composition point of view political possible Postmodernism poststructuralism power or potential present produce psychoanalysis pure radical refer rela relations Routledge scene sensation signifier signs singular Slavoj Žižek social space specific stable style syntheses tendency theory things Thousand Plateaus tion trans University Press virtual