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Popular Fiction:

The Logics And Practices Of A Literary Field
Front Cover
1 Review
Taylor & Francis Group, 2004 - Fiction - 179 pages
In this important book, Ken Gelder offers a lively, progressive and comprehensive account of popular fiction as a distinctive literary field. Drawing on a wide range of popular novelists, from Sir Walter Scott and Marie Corelli to Ian Fleming, J. K. Rowling and Stephen King, his book describes for the first time how this field works and what its unique features are. In addition, Gelder provides a critical history of three primary genres - romance, crime fiction and science fiction - and looks at the role of bookshops, fanzines and prozines in the distribution and evaluation of popular fiction. Finally, he examines five bestselling popular novelists in detail - John Grisham, Michael Crichton, Anne Rice, Jackie Collins and J. R. R. Tolkien - to see how popular fiction is used, discussed and identified in contemporary culture.

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Review: Popular Fiction: The Logics and Practices of a Literary Field

User Review  - Anna - Goodreads

the whole idea of "rating" academic texts is kinda weird, but this is a useful and interesting analysis of the popular literature the first chapter of which will be really useful in the course i teach on popular writing and criticism. Read full review

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References from web pages

Popular Fiction: The Logics and Practices of a Literary Field
Popular Fiction: The Logics and Practices of a Literary Field Book by Ken Gelder; 2005. Read Popular Fiction: The Logics and Practices of a Literary Field ...
www.questia.com/ PM.qst?a=o& d=108938274

Blackwell Synergy - J Popular Culture, Volume 39 Issue 2 Page 324 ...
Popular Fiction: The Logics and Practices of a Literary Field The Journal of Popular Culture 39 (2), 324–326. doi:10.1111/j.1540-5931.2006.00240.x ...
www.blackwell-synergy.com/ doi/ abs/ 10.1111/ j.1540-5931.2006.00240.x

Popular Fiction: The Logics and Practices of a Literary Field
Popular Fiction The Logics and Practices of a Literary Field. Author: Ken Gelder. ISBN: 978-0-415-35647-3 (paperback) 978-0-415-35646-6 (hardback) ...
www.informaworld.com/ smpp/ 1218702827-4371227/ title~db=all~content=g728695173~tab=subscribe

Genre fiction - Wikipedia, the free encyclopedia
A comprehensive discussion of these issues is found in Ken Gelder, Popular Fiction: The Logics and Practices of a Literary Field (2004). ...
en.wikipedia.org/ wiki/ Popular_fiction

Australian Humanities Review : Gelder
His most recent books are Popular Fiction: The Logics and Practices of a Literary Field (2004) and, as editor, The Subcultures Reader: Second Edition (2005 ...
www.lib.latrobe.edu.au/ AHR/ archive/ Issue-July-2005/ Gelder.html

First name Initial Last name
bibliography of secondary sources. Rheem Valley, CA: synsine Press. Gelder, K. (2004). Popular fiction: the logics and practices of a literary field. ...
etd.ils.unc.edu/ dspace/ bitstream/ 1901/ 224/ 1/ alisonbradley.pdf

Ellibs Bookstore for Libraries - Ebook info - "Popular Fiction ...
Title: Popular Fiction: The logics and practices of a literary field ... Popular Fiction: The logics and practices of a literary field (0-203-02336-6) ...
extra.ellibs.com/ bookinfo.php?book=1341& language=1

MARGINALIA Bulletin bibliographique des études internationales sur ...
MARGINALIA. Bulletin bibliographique des études internationales sur les littératures populaires,. no 44, mars 2005. Généralités - Science-Fiction ...
www.cerli.org/ bibliographie/ Marginalia/ 44Margel44.doc

En studie av receptionen av populärlitteratur i svensk dagspress
Popular Fiction; the Logics and Practices of a Literary Field, där författaren Ken Gelder. bland annat diskuterar huruvida populärlitteratur och ...
gupea.ub.gu.se/ dspace/ bitstream/ 2077/ 9552/ 1/ CarolineMagnusson.pdf

About the author (2004)

Ken Gelder is a Reader in English at the University of Melbourne, Australia. His books include Reading the Vampire (Routledge 1994) and, with Jane M. Jacobs, Uncanny Australia: Sacredness and Identity in a Postcolonial Nation (Melbourne University Press, 1998). He is co-editor of The Subcultures Reader (1997) and editor of The Horror Reader (2000), both published by Routledge.

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