French National Cinema

Front Cover
Psychology Press, 2005 - Performing Arts - 378 pages

This revised and updated version of a successful and established text, French National Cinema offers a thorough and much-needed historical overview of French cinema at a time when it continues to grow in popularity with films such as Amelie and Belleville Rendez-vous.

Brought wholly up to date to include political and social developments in French cinema in the 1990s, its fresh approach and groundbreaking new writing on the subject offers a much further understanding of French cinema and its relationship with the French national identity.

New subjects covered include:

  • the GATT negotiations of 1993
  • French cinema's increasing dependence on investment from television
  • the rise of the multiplex
  • the implications of the introduction of digital technology.

Ideal for all students of cinema, film studies and film history, this book traces the eco-history of the French film and its key figures and movements, and it places them in their wider political and cultural context.

 

Contents

DEFINING THE NATIONAL OF A COUNTRYS CINEMATOGRAPHIC PRODUCTION
1
1 A BRIEF ECOHISTORY OF FRANCES CINEMA INDUSTRY 19852004
17
FRENCH CINEMAS CLASSICAL AGE 18951929
76
FRENCH CINEMAS AGE OF MODERNISM 193058
123
FRENCH CINEMAS AGE OF THE POSTMODERN PART I195891
203
FRENCH CINEMAS AGE OF THE POSTMODERN PART II 19922004
293
CONCLUSION
328
NOTES
332
BIBLIOGRAPHY
347
SPECIAL INDEXES
363
GENERAL INDEX
373

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About the author (2005)

Susan Hayward is Professor of French in the School of Modern Languages at the University of Exeter. She has published widely on French film and gender and sexuality in film. Her most recent publication is Simone Signoret: The Star as Cultural Sign (Continuum, 2003)

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