Between the Lines: Literary Transnationalism and African American PoeticsBetween the Lines examines the role of three women poets of African descent--Frances Harper, Cristina Ayala, and Auta de Souza--in shaping the literary history of the Americas. Despite their different geographic locations, each shared common concerns and wrestled in their works with the sociopolitical predicaments of the late nineteenth century. Their verse vigorously examined slavery and confronted the existential struggle against boundaries imposed by race, nation, and gender. The writers each conceived of the poem as a dynamic forum where new concepts of individual and collective freedoms could be imagined. In their work readers encounter the poem as a site of cross-cultural exchange, a literary space in which the boundaries of nation can be redefined. Between the Lines places national poetics in a global economy of identities, histories and languages. It looks to poetry to demonstrate how people translate from one cultural or linguistic arena to another, how literary expression writes identities, and how language is used to conceptualize history. The book is the first to juxtapose Cuba, Brazil and the United States in a study of nineteenth-century women's poetry, and the first to include the Lusophone literary tradition in a comparative study of African descendants in Latin America, the U.S., and the Caribbean. With close readings and expertly rendered translations, Monique-Adelle Callahan situates the work of these three poets in a hemispheric context that opens up their writing to new interpretations and expands the definition of "African American" literature. |
Contents
Introduction | 3 |
Chapter 1 Translations of Transnational Black Icons in the Poetics of Frances Harper | 42 |
Redemption Songs and American Poetry beyond Borders | 59 |
Gender and Nation beyond Emancipation | 74 |
Modes of Escape in Auta de Souzas Poetics of Freedom | 96 |
Where Do We Go from Here? The Implications of Textual Migrations | 114 |
Afrodescendente History AsAnd Transnational Poetics | 123 |
Notes | 149 |
| 165 | |
| 175 | |
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Common terms and phrases
abolition abolitionism abolitionist aesthetic African American African American literature African descent Afro-Brazilian Afro-Cuban afrodescendente allusions American national arroyuelo Auta de Souza Auta’s biblical black Cubans Brazil Brazilian challenges Chloe Christ colonial concept context Cuba Cuban nation cultural Death of Zombi defined Deliverance descendants discourse Eliza Harris emancipation enslaved escravo Exodus figure Fio Partido flor Frances Harper gender Gualberto Gómez Güines Harper’s history of Cuba idea ideal ideological imagined Israelites Juan Francisco Manzano language Libertad lines linked literary Maceo metaphor Minh’alma e o Verso miraza movement narrative nationhood nineteenth century oppression pareço Plácido poem poet poetic text poetry political post-Reconstruction era postabolition Quilombhoje quilombo race racial slavery racial uplift raza negra reading redeem redemption Redención relationship role slavery and freedom social soul space speaker stanza struggle suggests symbolic thematic tion tradition transhemispheric translation transnationalism tropes ultimately United vida vision voice woman women writing Zombi Zumbi