The Kathakali Complex: Actor, Performance & Structure----------- |
Contents
THE CREATION OF THE KATHAKALI ACTOR | 65 |
THE ACTUAL PROCESS | 95 |
Specific Training Exercises | 104 |
Massage Uliccil | 120 |
The Language of GesturesMudrās | 126 |
THE KATHAKAĻI ACTOR IN PERFORMANCE | 145 |
KATHAKALI PERFORMANCE STRUCTURE | 217 |
Past and Present | 263 |
Six Kathakali Training Schools | 357 |
Margi Kathakali School Two Scenes from | 379 |
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Common terms and phrases
abhinaya acting aesthetic artists āṭṭam audience Baka Bali Bali Vadham basic battle begins bhāva Bhima centre characters choreography circle classical complete cultural curtain cuzhippu cycle Dakṣa Yagam dance dance-drama Dharmaputra Diagram dramatic context elaboration emotional enacts epics exercises external eyes facial festival Figure foot footwork patterns hand gestures Hanuman Hiranyakasipu Indian kāla kalari kalarippayatt kalāśams Kathakali actor Kathakali performance Kathakali plays Kathakali School Kathakali stage Kathakali students Kathakali techniques Kathakali training katti Kerala Kalamandalam Kirmira Kirmira Vadham Kottakkal Kṛṣṇa Kṛṣṇāṭṭam Kūṭiyāṭṭam Mahābhārata major Malayalam martial massage movements mudrās Nair Nala Namaskaram Namboodiri Narakasura onstage pacca padam Pārvatī patronage patrons performance score physical Prahlada Caritam preliminary programme rāga Rāma Rāmāyaṇa rasa Rāvaṇa repertory rhythmic patterns ritual role Sanskrit scene Sītā Śiva sloka specific story style Sukracharya tāla teacher teaching temple theatre traditional troupe Vallabha Venice Beach vocalists Western