John McGahern and the Art of MemoryIn 2005, when John McGahern published his Memoir, he revealed for the first time in explicit detail the specific nature of the autobiographical dimension of his fiction, a dimension he had hitherto either denied or mystified. Taking Memoir as a paradigmatic work of memory, confession, and imaginative recovery, this book is a close reading of McGahern's novels that discovers his narrative poiēsis in both the fiction and the memoir to be a single, continuous, and coherent mythopoeic project concealed within the career of a novelist writing ostensibly in the realist tradition of modern Irish fiction. McGahern's total body of work centres around the experiences of loss, memory, and imaginative recovery. To read his fiction as an art of memory is to recognize how he used story-telling to confront the extended grief and anger that blighted his early life and that shaped his sense of self and world. It is also to understand how he gradually, painfully and honestly wrote his way out of the darkness and despair of the early work into the luminous celebration of life and the world in his great last novel That They May Face the Rising Sun. |
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abuse acedia achieve Amongst Women art of memory aunt aunt's Ballinamore Barracks becoming beginning boy's centre Chapter character childhood confessional Cootehall dancehall Dark dead deathroom dream Dublin dying echo emotional experience Faber Face the Rising Father Gerald fear feeling fictive first-person future girls grief guilt imagination Ireland Irish University Review ironically Isobel Jamesie John McGahern Josephine Josephine's Kate language Leavetaking living London loss lost beloved lost image lost world Luke Maggie Maher Mahoney Mahoney's marriage McGa McGahern describes McGahern's fiction McGahern's writing Meadow memoir McGahern metafictive Moran family mother mother's death mystery myth narrative voice narrator narrator-protagonist narrator's novel Nurse Brady Outstaring Nature's Eye passage Patrick Moran poiesis pornographer pornographer's present priest protagonist recalls Reegan rejection relationship Rising Sun ritual Ruttledge Ruttledge's Ryan Sampson scene seems sense sexual shadow shape story symbol tells thinks tion turn unconscious understanding vision woman