A Song for Europe: Popular Music and Politics in the Eurovision Song Contest

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Ivan Raykoff, Robert Deam Tobin
Ashgate Publishing, Ltd., 2007 - Music - 190 pages
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The world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities among participating countries. Here, an international group of scholars from a variety of disciplines, including musicology, communications, history, sociology, English and German studies, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. For some countries, participation in Eurovision has been simultaneously an assertion of modernity and a claim to membership in Europe and the West.Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.
  

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Contents

Camping on the borders of Europe
1
PostWall and PostStonewall
25
Ralph Siegel and
49
Nationality failure and shame in
71
Lithuanian contests and European dreams
99
t A T u performs at Eurovision 2003
111
Israeli gay men and the Eurovision Song Contest
123
Turkey Europe
135
AutoOrientalism at Eurovision 2003
147
Nationalism in the panArab vocal
159
Shifting visions of
171
Index
183
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