Media Matrix: Sexing the New Reality

Front Cover
Allen & Unwin, 2003 - Psychology - 216 pages
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This critique explores the effect of today's global media on contemporary ideas and experiences of sex, screen, identity, and representation from Sex and the City to discussions of sexuality and the self, from Breillat's film Romance to Harlequin romances, from reality TV to cyber porn, and from celebrity to censorship. The changes brought about by new forms of representation and reality are explored, and the media's ambiguous relationship to radical change in the way sexuality appears on screen is questioned. Such questions as Has reality TV affected the way viewers think about sex and relationships? Now that pornography has entered the mainstream, can we still say porn offers an alternative view of sex? Does Sex and the City really challenge every taboo known to society? and Why do women enjoy writing slash fiction? are addressed. Also examined are the breakdown between public and private and the question of what constitutes the true representation of sexuality and the self in the new global public domain.
  

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Contents

the perverse gaze
13
peep shows to reality TV
30
the limits of Sex and the City
43
Romance to Annie Sprinkle
58
postmodern men and the media
78
the beast in the bedroom
97
from television to teledildonics
115
a gay gaze
136
digital pleasures and the new reality
159
terrorism and trauma
174
The global self and the new reality
191
Index
205
Copyright

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Page 137 - The nineteenth-century homosexual became a personage, a past, a case history, and a childhood, in addition to being a type of life, a life form, and a morphology, with an indiscreet anatomy and possibly a mysterious physiology.
Page 123 - Embedded in the inner surface of the suit, using a technology that does not yet exist, is an array of intelligent sensor-effectors - a mesh of tiny tactile detectors coupled to vibrators of varying degrees of hardness, hundreds of them per square inch, that can receive and transmit a realistic sense of tactile presence.
Page 91 - The journalist shall be aware of the danger of discrimination being furthered by the media, and shall do the utmost to avoid facilitating such discrimination based on, among other things, race, sex, sexual orientation, language, religion, political or other opinions, and national or social origins.
Page 25 - As the indifferent memories owe their preservation not to their own content but to an associative relation between their content and another which is repressed, they have some claim to be called 'screen memories', the name by which I have described them.

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About the author (2003)

Barbara Creed is an associate professor of cinema studies in the school of fine arts at the University of Melbourne. A well-known film critic and media commentator, she has been the Age film reviewer for three years and an ABC film critic for the past decade. She is the author of The Monstrous-Feminine and the coeditor of both Body Trade and Don't Shoot Darling!. Her work has been widely published in international journals such as Camera Obscura, New Formations, and Screen.

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