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actors aesthetic Amelie Helie Andrew Ange Gabriel Antoine et Antoinette apaches authenticity Bazin Becker's film Belle Epoque Belleville body Burch and Sellier Cahiers du cinema career Casque d'or casquettes characters Christian-Jaque chronotopes Classic French Cinema Claude Dauphin close-ups Clouzot contemporary costume drama critics Danard dance Dedee d'Anvers depiction Dernier atout desire director dominant Doniol-Valcroze Edouard et Caroline emphasises example Falbalas feature female femininity film-making film's focus France French cinema French film gang gangster gaze gender genre Georges Sadoul Gervaise Ginette Vincendeau grisbi guinguette Jacques Becker Jean Jean Renoir Joinville Leca Leca's Lettres look Maneges Marie and Manda Marie's Martine Carol masculinity melodrama Micheline Micheline Presle mise-en-scene narrative Naumann offers Paris patriarchal performance popular post-war prostitute Queval Raymond realism Renoir representation Roland role scene script seen September 1952 sequence Serge Reggiani sexual shot Simone Signoret spectator star style Susan Hayward Touchez tradition Vignaux women Yves Allegret
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