The Psychopath in Film

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University Press of America, Jan 1, 1999 - Performing Arts - 311 pages
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The Psychopath in Film examines the cognitive and emotional proficiency of psychopaths at surviving the goodness juggernaut using a model that takes into account three different levels of cognition and two levels of emotion. The prominent force of the soulless creature created in the cinema schemes as a connoisseur of evil. However, the psychopath must work at making evil work. Wayne Wilson assembles the cognitive and emotional fundamentals essential for evil's success. Cognitively, the psychopaths must possess the ability to maintain a calculating secrecy, they must harbor a flair for misdirection, and they must choose freely to abdicate responsibility while victimizing others. Emotionally, psychopaths should not feel remorse for their actions, and may benefit from the capacity to experience exuberance over their wicked ways, which tends to be the most compelling trait of psychopaths in films. This study delves into these tendencies as represented in the characters created in movies from classics through modern film, focusing on the question of the psychopath's possession of the aptitude to commit undue harm.
  

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Contents

Introduction HAL And Beyond
3
Is
21
Evils Imperfections
39
The Cinematic Psychopath
65
The Busy Psychopath
85
Character
87
Breach Of Character
117
Mood Circumstance
151
Spiritualism The Power Within
217
Justice And Keyser Sdxe
251
Bibliography
281
Film Index
289
Person Index
293
Subject Index
301
About The Author
313
Copyright

Materialism The Power Of Plenty
185

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About the author (1999)

Wayne Wilson is Professor of Psychology at Stephen F. Austin State University and author of Sexuality in the Land of Oz (University Press of America, 1994).

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