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abstract achieve aesthetic anima animated cartoon animated film animated form approach Arguably artists aspects audience auteur auteurist authorial authorship Avery becomes Bill Plympton Caroline Leaf challenge character Chuck Jones colour comic context create creative culture defined depicting Dinosaur director Disney's distinctive drawings effects embrace emotional engagement enhance example explore facilitate fairytales feature figure film-making practice Fischinger Fleischer Brothers foreground frame Fred Tex Freleng full-length further genre graphic Harryhausen idea imagery imperatives industrial intrinsic John Jordan Belson live action live-action cinema Max Fleischer metamorphosis mode modern Mouse move movement narrative Norman McLaren outcomes painting particular Paul Terry perspective principles production puppet Raoul Servais Ray Harryhausen recognised relation relationship sense sequence short soundtrack specific stop-motion animation studio style suggests surreal technique television Tex Avery themes tion Toy Story tradition Ub Iwerks underpinning visual vocabulary Walt Disney
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