Art at Auction in 17th Century Amsterdam

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Amsterdam University Press, 2002 - Art - 336 pages
In this study of Amsterdam's Golden Age cultural elite, John Michael Montias analyzes records of auctions from the Orphan Chamber of Amsterdam through the first half of the seventeenth century, revealing a wealth of information on some 2,000 art buyers' regional origins, social and religious affiliations, wealth, and aesthetic preferences. Chapters focus not only on the art dealers who bought at these auctions, but also on buyers who had special connections with individual artists.
 

Contents

Acknowledgements
7
3
20
Aggregate Statistics of Sales and the Owners
33
The Buyers at Auction Sales
41
20
50
8
60
Attributions
94
Concluding Words on Auctions
108
The Story of a Merchant Who Thought
144
Jacob Swalmius and Rembrandt
164
Jan van Maerlen
188
Jean le Bleu François Venant
204
2233
220
24
234
Bibliography
247
Notes
257

13
114
Johannes de Renialme
130
List of illustration
309
Copyright

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About the author (2002)

John Michael Montias (1928) was trained as an economist (Ph.D. Columbia University, 1958). In the first part of his career, he specialized in the comparison of economic systems. Since 1975, he has devoted most of his research to the art market in the 17th century Netherlands. His first book, Artists and Artisans in Delft; a Study of the Seventeenth Century, was published in 1982, his second, Vermeer and His Milieu: A Web of Social History, in 1989. Since then he has written a book in French on the art market in the Netherlands (Le marché de l'art aux Pays Bas, 15ème-18ème siècles, 1996) and, with John Loughman, a book on the hanging of pictures in 17th century Dutch houses (Public and Private Spaces; Works of Art in Seventeenth Century Dutch Houses, 2000).

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