A Guide to pseudonyms on American records, 1892-1942
Louis Armstrong performed under the pseudonym Ted Shawne while Fats Waller took the name Flip Wallace. Recordings by Duke Ellington and his Cotton Club orchestra are to be found under 22 different pseudonyms. These are among the more than 3,000 pseudonyms unearthed by Allan Sutton in his pioneering guide to pseudonyms used on American recordings between 1892 and 1942. Organized into sections dealing with vocal artists and instrumental groups, the volume has indexes for legal names, label groups, and vocal and instrumental names. Encompassing all musical styles, from opera to pop vocals, from jazz and blues to country music, and covering both vocal and instrumental performers, this is an invaluable research tool for discographers and music and theatre historians alike.
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American Record Corporation Arthur Fields Aurora Canadian banjo Banner baritone bass Ben Selvin Billy Jones Black Swan Bluebird Blues BOYS British Broadway BROTHERS Brunswick California Ramblers Cameo Carson Robison Charles Harrison Club Orchestra Collegians Dance Orchestra Dixie Jazz Band Domino Eddie Edison cylinders Electradisk Emerson Ernest Hare Fletcher Henderson Frank Luther Fred Rich Gennett George Grey Gull Grey Gull house Gull and related Gull house band Harmograph Harmony and related Hawaiian Henry Burr Irving Kaufman issues Jack Kaufman JIMMY John Lanin Melody Melotone Miller minor brands minor labels National Music Lovers Olympic masters Orchestra Orchestra Champion Orchestra Columbia Orchestra Oriole Original Memphis Five Paramount Parlophone Pathe and related Perfect and related personnel piano Plaza Music Company possibly pseudonym Regal related labels Scrappy Lambert Serenaders Silvertone Steve Porter Supertone Syncopators TRIO Vaughn De Leath Velvet Tone Vernon Dalhart Victor masters Vocalion vocalist Walsh William Robyn World Program Service Zon-O-Phone