The Principles of Beauty in Colouring Systematized

æsthetics ANALOGY arising artist BEAUTY IN COLOUR binary blue and orange CHROMATIC HARMONY colorific colours and hues compound colour consonances CONTRAST OR OPPOSITION degree diagonal diagrams Eastlake Edinburgh EFFECTS OF VISIBLE exem exemplified Fraser's Magazine Goethe Green-hue harmonic ratios harmonious colouring HARMONY OF COLOUR harmony of form Hay's humerus intensity Laws of Harmonious light and shade Lizars Sc lours mind mode of union modifications monochord NATURE AND RELATION NOTE operation OPPOSITION OF COLOURS orange colour Ornamental Design Parthenon pered Secondary perfect perfect darkness philosophical PRIMARY AND SECONDARY PRINCIPLES OF BEAUTY principles of harmony produced proportions racter rectangle red and green Red-hue RELATION OF COLOURS scale Secon Secondary hue simple colour spectrum subordination SYSTEM OF CHROMATIC taste Tempered Green Tempered primary hue Tempered Red Theory of Colours three primary colours tints and shades tion tone tonic ulna variety vertebra VISIBLE BEAUTY yellow and purple