The Principles of Beauty in Colouring Systematized

ANALOGY arising Aristotle artist BEAUTY IN COLOUR blue and orange bone CHROMATIC HARMONY colorific colours and hues compound colour condary consonances CONTRAST OR OPPOSITION decoration degree diagonal diagrams Edinburgh EFFECTS OF VISIBLE exem exemplified exhibited external nature Fraser's Magazine Goethe Green-hue harmonic ratios harmonious colouring HARMONY OF COLOUR harmony of form Hay's humerus intensity Laws of Harmonious light and shade lours mind mode of union modifications monochord NATURE AND RELATION NOTE octave operation OPPOSITION OF COLOURS orange colour Ornamental Design Parthenon pered Secondary perfect perfect darkness philosophical PRIMARY AND SECONDARY primary elements primary hue PRINCIPLES OF BEAUTY principles of harmony produced proportions racter rectangle red and green RELATION OF COLOURS scale secondary hue simple colour spectrum subordination SYSTEM OF CHROMATIC taste Tempered secondary Theory of Colours three primary colours tints and shades tion tone tonic ulna variety vertebra VISIBLE BEAUTY yellow and purple