The Artist Himself in African Art Studies: Jan Vandenhoute's Investigation of the Dan Sculptor in Côte D'Ivoire |
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According actually adze aesthetic African art allows analysis appear approach art studies artist artistry aspects attention Bamana become believe Boas Brett-Smith Burssens carving collection considered context copying Côte d'Ivoire create creative culture Dan sculptor demonstrate describes drawings dreams ethnic art evidence example expressed fact field fieldwork figure Fischer Gent Ghent gives Guwe hand handling Himmelheber idea important indicates individual inspiration interest interpretation issue kunst later less literature mask maker material merely method never niet object observation Olbrechts opinion original person points portrait practice primitive proposed publication published question remarks ritual role says scholars social society sources student sub-Saharan sub-Saharan artist sub-Saharan sculptor technical term tion tradition understanding University Upper Cavally region Vandenhoute Vatter Western women wood Yituwo Yoruba