A Companion to Werner HerzogBrad Prager A Companion to Werner Herzog showcases over two dozen original scholarly essays examining nearly five decades of filmmaking by one of the most acclaimed and innovative figures in world cinema.
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Contents
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58 | |
On Experience | 80 |
Herzog and the Interarts | 99 |
Herzog and Photography | 127 |
Werner Herzog and Opera | 149 |
The Viewer and Herzogs Sonic Worlds | 168 |
Herzogs German Encounters | 231 |
The Fiendship of Klaus Kinski and Werner Herzog | 301 |
Herzogs FarFlung Cinema | 327 |
Werner | 356 |
The Changing Course | 371 |
ReOpened | 393 |
Werner Herzogs American TV Documentaries | 416 |
Herzogs Chickenshit | 445 |
Encountering Werner Herzog at the End of the World | 466 |
Herzogs Heart of Glass and the Sublime of Raw Materials | 256 |
Embodied Vision | 281 |
The Philosophical Purposiveness | 566 |
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Common terms and phrases
aesthetic Aguirre American animal appears attempt becomes beginning body calls camera Chapter character cinema claims critical Cronin cultural Darkness death describes Directed director documentary dream early Ecstasy effect encounter essay example experience exploration expression face fact Fata Figure film’s filmmaker final Fitzcarraldo flying follows footage German glass hand Heart Herzog’s films human idea images interest interview kind Kinski Land landscape language later Little living Location look means mountain move narrative nature never notes object opening opera original performance photograph physical play political practice Prager Chapte present Press production question reality reference relation role says scene seems seen sense sequence shot shows Signs sound space stage Steiner story sublime suggests takes tion Title Name truth turn University viewer vision visual voice walk Werner Herzog York