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accompanists accompanying Agra gharana Ahmed alap art music Atrauli audience become binkars biradari Brahman brother caste casual artists Chand Khan chilla cians claim classical music composition concert considered context court Dagar Delhi gharana descendants Dharis dhrupad disciple example father Ghulam guru guru-shishya Gwalior gharana harmonium hereditary musicians Hindu Hindustani music Hussein Khan Imam important India Radio Indian music instrument instrumentalists Kalawant Khan's khandan khayal Kirana learning light classical lineage mance marriage melodic Mirasi Mirasi Yes A.I.R. Muhammad musi music culture musical tradition musicians Muslim Muslim Mirasi Yes Muslim musicians North India performance perhaps play practice Qawwal refer relationship riaz role Sabri Khan sarangi sarangi player sarangiyas sarod Shankar shishya sing sitar sitarist social identity solo soloist and accompanist sometimes staff artist style tabla player Table tabliya tanpura tanpura player Tansen tawaif teacher thumri tion Ustad usually Vilayat Khan vocal music vocalist Wahid
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Timothy Rice - 2003 - Ethnomusicology
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Kalpana Ram, Kalpana Ram - 2000 - The Australian Journal of Anthropology
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