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The White Goddess

Front Cover
91 Reviews
Faber & Faber, Feb 3, 2011 - Religion

This labyrinthine and extraordinary book, first published more than fifty years ago, was the outcome of Graves's vast reading and curious research into strange territories of folklore, mythology, religion and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explored the sources of his own inspiration and, as he believed, all true poetry.

This new edition has been prepared by Grevel Lindop, who has written an illuminating introduction. The text of the book incorporates all Graves's final revisions, as well as his replies totwo of the original reviewers, and a long essay in which he describes the months of inspiration in which The White Goddess was written.

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5 stars
34
4 stars
20
3 stars
19
2 stars
6
1 star
3

A marvelous piece of scholarship. - Goodreads
An overview of archaic Welsh bardic poetry. - Goodreads
This is a very good reference on Welsh mythology. - Goodreads

Review: The White Goddess: A Historical Grammar of Poetic Myth

User Review  - Hortense - Goodreads

you were the one insisting on my reading this. You said I would need something like a method to get through the disheveled myths of men and the lies one's mother tells. I knew you took a lot of LSD ... Read full review

Review: The White Goddess: A Historical Grammar of Poetic Myth

User Review  - Andrine Morse - Goodreads

These pages fueled feminist study for a few generations and launched many a late night discussion as women gathered to discover their stories. The five star rating is if the book is taken for what ... Read full review

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About the author (2011)

Robert Graves (1895-1985) was a poet, novelist and critic. His first volume of poems, Over the Brazier (1916), reflected his experiences in the trenches, and was followed by many works of poetry, non-fiction and fiction. He is best known for his novel, I, Claudius (1934), which won the Hawthornden and James Tait Black memorial prizes and for his influential The White Goddess (1948).

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