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actually aesthetic emotion aesthetic experience aesthetic judgments appears appreciation approach Aristotle artist artworks artworld audience beauty Bell Brillo Box captured century chapter character claim cognitive Collingwood color concept constitute critical Cubist culture Danto David Hume definite domain Easter Island effect elements example expressionism fact factors feeling framework Gestalt Gestalt theory human Hume Hume's Ibid imitation Immanuel Kant important individual Intentional Fallacy intentions involved judge Kant language look matter means mimesis mind moral nature notion object offers organicism organicist ourselves painting particular perception perhaps person philosophical Plato pleasure poem poet poetry position possess principles produce purpose qualities question realm reason Reid Reid's representation representation theory response Roger Fry seems sense shape simply sort speak stand suggest Sully-Prudhomme Suzanne Langer symmetry term theory of art things Thomas Reid tion Tolstoy Tovey truth universality visual Visual Perception Wimsatt and Beardsley Wittgenstein
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