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acting actor Anglicised appears Arnold audience Autolycus Bard Bard’s bear bear-baiting begins Brandhofer Britain British Bryn Glas called century certainly challenge Choking Victim claim Claudius commitment complex conﬁrms confronts context course culture Cymbeline deﬁned dimension distinction Dorsday early modern Eliot Else’s embodies engage England English eruption essay fact Falstaff ﬁeld ﬁgure ﬁnal ﬁnally ﬁnd ﬁrmly ﬁrst Fluellen Freud fundamental Glendower Globe Theatre Glyn Dwˆr Hamlet Harry Hunks heimlich Heimlich Manoeuvre Henry hint involved Irish irony kind King Knight language Leontes less Lionel Royce literary criticism means Midsummer Night’s Dream Milford Haven mode nature non-discursive notion offer one’s opposite performance perhaps play’s Polonius potential present presentist Prince of Wales reﬂected reinforced repetition Reuss role seems sense Shakespeare Shakespeare’s plays signiﬁcant sort speak speciﬁc stage T.S. Eliot theatre tion trumpet unheimlich uniﬁed W.B. Yeats Weimann Welsh Winter’s Tale words Wragg