Japanese Horror Cinema
Edinburgh University Press, Jan 1, 2005 - Horror films - 220 pages
A much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years, Japanese Horror Cinema provides an insightful examination of the tradition’s most significant trends and themes. The book examines the genre’s dominant aesthetic, cultural, political and technological underpinnings, and individual chapters address key topics such as: the debt Japanese horror films owe to various Japanese theatrical and literary traditions; the popular ‘avenging spirit’ motif; the impact of atomic warfare, rapid industrialisation and apocalyptic rhetoric on Japanese visual culture; the extents to which changes in the economic and social climate inform representations of monstrosity and gender; the influence of recent shifts in audience demographics; and the developing relations (and contestations) between Japanese and ‘Western’ (Anglo-American and European) horror film tropes and traditions. Extensive coverage of the central thematic concerns and stylistic traits of Japanese horror cinema makes this volume an indispensable text for a myriad of film and cultural studies courses.Features:* Includes a preface by Christopher Sharrett* Each chapter covers a fundamental aspect of Japanese horror cinema and is written by an expert in the field* Case studies include internationally renowned films such as Nakata Hideo’s Ringu, Ishii Takashi’s Freeze Meand Fukasaku Kinji’s Battle Royale* Appendices feature an interview with maverick filmmaker Miike Takashi and a filmography of Japanese horror films currently available in the UK and US.
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Review: Japanese Horror Cinema (Traditions in World Cinema)User Review - Caitlin - Goodreads
While extensive and broad in its scope, this overview of Japanese horror films is about an inch deep with very mediocre analysis. You won't get much more out of it other than the crude basics. Read full review
Deleuze, Cinema, And National Identity: Narrative Time in National Contexts
No preview available - 2006
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Reconstruction 6.1 (Winter 2006)
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"Dark Water" text version
These effective and subtle techniques appear intrinsic to Japanese horror cinema, and are visible in Kiyoshi Kurosawa’s Pulse (2001), as well as Nakata’s ...
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Scope | Issue 6| Book Reviews
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‘Asia Extreme’: Japanese cinema and British hype
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