The Works of Anthony Raphael: First Painter to His Catholic Majesty Charles III

aforefaid alfo almoſt alſo ancients appear arifes artiſts becauſe befides beſt cauſe chooſe clare obfcure colours compofed compofition confifts contours Correggio cuſtom defign defire deftroyed diſcover diſtinguiſh drapery effect exprefsion faid fame fecond fees fenfes ferve fhade fhall fhould fhow figures fimple fince finiſhed firft firſt fole fome fometimes foon foul freſco ftatues ftraight ftudy ftyle fubject fublime fuch fufficient fuperior genius Giorgione give grace greateſt Grecians hiftory higheſt himſelf houſe idea Ideal imitation itſelf knew laftly laſt leaſt lefs light likewife lours manner maſters Mengs Michel Ange moft moſt beautiful muſt Nature neceffary notwithſtanding obferve object occafion paffed pafsions Painters painting perfection perfon pleafing pleaſe poffeffed prefent principal produce profeffors Raphael reafon reflection reprefented Rome ſay Spain ſpeak ſtudy ſtyle Tafte taſte thefe themſelves theſe things thofe thoſe tion Titian truth underſtand uſe viſible whence wiſh