Locating Renaissance Art

Front Cover
Carol M. Richardson
Yale University Press, Jan 1, 2007 - Art - 334 pages
Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center.
During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.
 

Contents

Map of Renaissance routes
12
The allure of Rome
25
Netherlandish networks
65
Tapestries as a transnational artistic commodity
103
Siena and its Renaissance
135
The painter Angelos and postByzantine art
174
an aesthetic
213
Bramante and the sources of the Roman
251
Notes
291
Bibliography
307
Index
322

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About the author (2007)

Carol M. Richardson is lecturer, Art History Department, The Open University.

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