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Common terms and phrasesaction actors aesthetics alignment American artistic associated audience Bicycle Thieves Bordwell British camera causal Chapter character characterisation cinema claims classical codes and conventions construction contemporary context create critical Cry Freedom cultural debates depiction diegesis diegetic documentary drama effects emotional emphasise engage entertainment everyday example experience fantasy favour fiction films film's filmic filmmakers filmmaking practice focus footage formal forms gangster genre Henry high concept historical identified issues Italian neorealism Ken Loach mainstream film male melodrama ment mise-en-scene montage montage sequences moral motivation movie murder narration narrative structure Natural Born Killers neorealism neorealist Once Were Warriors play popular film production real-isation reality recognise relationship representation Reservoir Dogs response scene schemata Schindler's Schindler's List screen sequences Serial Killer sexual shooting shot situation social realism spectacle spectacular spectator story strategies style techniques television themes theory tion urban Vertov viewers violence References to this bookFrom other books
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