Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's Artistry (Google eBook)
Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Influence and Characterization in The Massacre
Artistic Individuality and
Edward II Richard II the Will to Play and an Aesthetic of Ambiguity
The Influence of The Jew
Marlowes Tamburlaine Plays Shakespeares Henry V and
Aaron Aeneas aesthetic ambiguity Antony and Cleopatra artistic artistry asserts audience awareness B-Text Barabas Barabas's behavior Caesar Cambridge characterization characters Charney Christopher Marlowe comic conflict context conventional critics death desire Dido Dido's differences discussion Doctor Faustus dramatic dramatists dramaturgical Edward Edward II effect Elizabethan emotional epyllion example Faustus's feel figure focus forces Gaveston gender genre Greenblatt Guise Henry Hero and Leander heroic Ibid ideal imagination influence on Shakespeare irony Jew of Malta Jonson king language less literary Macbeth magic magician manliness Marlovian Marlowe and Shakespeare Marlowe's influence Marlowe's play Massacre At Paris means Merchant of Venice moral Moreover notion parody passage perspective poem political portray portrayal Prospero protagonists psychological Queen of Carthage Renaissance response Richard Richard II role scene seems sense sexual Shapiro Shylock similar soliloquy spectacle speech style suggest Tamburlaine plays theater theatrical Titus Andronicus tradition understanding University Press Venus and Adonis words writers