The Interpretation of Early Music |
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Page 122
... MOVEMENT In the Turin MSS . of Vivaldi's violin concertos we find some lengthy cadenzas written out , which are not in the printed editions ( either because Vivaldi wished ... Movement Entire Movements Replaced by Cadenza-like Improvisation.
... MOVEMENT In the Turin MSS . of Vivaldi's violin concertos we find some lengthy cadenzas written out , which are not in the printed editions ( either because Vivaldi wished ... Movement Entire Movements Replaced by Cadenza-like Improvisation.
Page 134
... MOVEMENT OF APPOGGIATURAS ( a ) The name appoggiatura itself does not carry any implication as to the direction of movement of the appoggiatura . We use the descriptions ' upper ' or ' superior ' or ' descending appoggi- atura ' for a ...
... MOVEMENT OF APPOGGIATURAS ( a ) The name appoggiatura itself does not carry any implication as to the direction of movement of the appoggiatura . We use the descriptions ' upper ' or ' superior ' or ' descending appoggi- atura ' for a ...
Page 317
... movement taken steadily may gain a breadth of interpretation for which no mere speed can compensate ; it may even sound more brilliant . A slow movement may gain more poignancy from being kept well in motion than from being dragged ...
... movement taken steadily may gain a breadth of interpretation for which no mere speed can compensate ; it may even sound more brilliant . A slow movement may gain more poignancy from being kept well in motion than from being dragged ...
Contents
THE APPROACH TO EARLY MUSIC | 25 |
THE INTERPLAY OF STYLES | 36 |
Musical Effects | 42 |
Copyright | |
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Common terms and phrases
accented acciaccatura accidental accompaniment accompanist Adagio Allegro appoggiatura arpeggiation articulation Augsburg Bach's baroque music baroque period beat Berlin breve C. P. E. Bach cadence chromatic composer continuo Couperin crotchets discord dissonance dotted notes early baroque early music effect embellishments Essay example expression F. W. Marpurg figured bass fingers flat French gamba give half-trill hand harmony harpsichord hexachord instruments interpretation intervals Italian J. S. Bach Joachim Quantz keyboard leading-note length Leopold Mozart less London long appoggiaturas lute main note marked means measure melody modern mordent movement musica ficta normal notation octave ornament Paris passages passing notes performer piano piece pitch played Pralltriller Quantz quavers quick realisation renaissance rule Semibreve semiquavers semitone sharp short appoggiatura singing slow slurred solo sometimes sonatas sound speed standard string stroke style taken tempo Thomas Mace tone tremolo trill turn vibrato viol violin Violinschule voice written