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Style and Intertextuality in the Isorhythmic Motet 1400-1440

, Volume 1
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University of Wisconsin--Madison, 1992 - Motets - 1216 pages

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Contents

Editions 303
4
Working Hypotheses
5
Manuscripts Containing the Fifteenthcentury Repertory
9

7 other sections not shown

Common terms and phrases

Anon appears Appendix 2A Apta caro Brassart breves canon cantus firmus chant Chapter chords Ciconia color compositional contemporary contrapuntal texture contratenor counterpoint Cypriot-French motets dating discussed displacement syncopation duet Dufay Dufay's Dunstable Dunstable's early fifteenth century English motet fauxbourdon fifteenth century final talea four-voice fourteenth Franco-Burgundian French-style GB-Lbl gemma genre Grenon hocket Hugo de Lantins I-Bc I-Tn I-TRmn imitation integer valor taleae introitus isorhythmic form isorhythmic motets Italian Motet Leech-Wilkinson Lefferts Machaut manuscript Maria melisma melodic mensuration midpoint motets listed motets written musical Old Hall manuscript Padu...serenans perfect modus Philippe de Vitry phrase plebs postlude Reinhard Strohm Rex Karole rhythmic episodes rhythmic modules rhythmic sequence Salve Sanctus semibreves shown in Example stylistic Sub arturo plebs Supremum surviving Table talea design talea introduction talea structure tenor tenor rest tenor taleae texts three-voice triplum and motetus tropes upper voices Vasilissa ergo gaude virgo Vitry Vitry's

Bibliographic information

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TitleStyle and Intertextuality in the Isorhythmic Motet 1400-1440, Volume 1
Style and Intertextuality in the Isorhythmic Motet 1400-1440, Style and Intertextuality in the Isorhythmic Motet 1400-1440
AuthorJon Michael Allsen
PublisherUniversity of Wisconsin--Madison, 1992
Original fromthe University of Wisconsin - Madison
Digitized6 Aug 2008
Length1216 pages
  
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