The Virtual Score: Representation, Retrieval, Restoration
Walter B. Hewlett, Eleanor Selfridge-Field
MIT Press, Jul 1, 2001 - Music - 301 pages
The Virtual Score examines a broad range of approaches to working with musical scores in ways suited to electronic distribution. The first section, on musical representation and interchange, discusses early music and its multiple editorial stances, scores in Braille musical notation (with and without NIFF), the GUIDO format for "adequate" (as opposed to comprehensive) music representation, Extensible Markup Language (XML) and music, and the latest methods for distributing scores online. The second section discusses retrieval and/or analysis of data from encoded melodies. The final section discusses the use of image-processing software to restore lost features of primary sources of music prints and manuscripts, to archive the original and/or restored images, and, in some cases, to facilitate electronic access to the images.
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accidental Advanced GUIDO archive attributes Basic GUIDO beam Braille musical notation chord chunk clef CMME color Computer Music Computing in Musicology create DARMS database defined designed developed document duration durationN="l early music editions editorial Eleanor Selfridge-Field electronic elements encoding example Extended GUIDO extensible Ferm Figure foreach grammar graphical GUIDO Music Notation GUIDO support Handbook of Musical hierarchies Hildegard Humdrum implemented incipits input Interchange File Format interpretation intervals language layout Library manuscript melodies mensural notation microtonal MIDI MIDI files MuseData Music Information Retrieval music representation music-notation Musical Codes musical data Musicology 12 MusicXML neume NIFF NIFF file octave output parser pitch pitch classes printed provides published repertory represented retrieval scan score segment Selfridge-Field Cambridge SGML specific standard structure symbol tags textual tuple space tuplets visual watermark