Singing the Chaos: Madness and Wisdom in Modern Poetry

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University of Missouri Press, 1996 - Literary Criticism - 336 pages

Singing the Chaos: Madness and Wisdom in Modern Poetry combines both a historical and a critical approach toward the works of major British, American, French, German, and Russian poets. Comprehensive in scope and arranged chronologically to survey a century of high poetic achievement, the study is unified by Pratt's overriding argument that "modern poets have endowed a disintegrating civilization with humane wisdom by 'singing the chaos' that surrounds them, making ours a great age in spite of itself."

In developing this central theme, Pratt brings alive the energy, the freshness, and the originality of technique that made Baudelaire, Pound, Yeats, Rilke, Eliot, and others the initiators of the revolution in poetry. He brings a more complete, clearer perspective to other major themes: modernism as an age of irony; poets as both madmen and geniuses; the modern poet as tragic hero; the dominance of religious or visionary truths over social or political issues; and the combination of radical experiments in poetic form with an apocalyptic view of Western civilization. His detailed treatment of the Fugitive poets and his recognition of their prominent role in twentieth-century literature constitute an important historical revision.

Brilliantly informed, insightful, and, above all, accurately sympathetic to the points of view of the poets Pratt presents, Singing the Chaos is that rare book that belongs on all shelves devoted to modernist poetry.

 

Contents

Introduction I
1
The Age of Irony and the Beginning of Modernism
7
French Symbolism and the Origin of Modern Poetry
19
Hopkinss Inscape and Rilkes Weltinnenraum
34
Emily Dickinson and Stephen Crane
50
William Butler Yeats
62
Hardy Housman and Owen ΙΟΙ
101
Robinson Frost and Jeffers
114
Southern Poets and the Theme of Alienation
230
John Crowe Ransom Elusive Ironist
237
Donald Davidsons Tennessee and Allen Tates Kentucky
249
Portraits of the Artist as a Young and an Old Man
261
Fugitive Witch or Goddess?
271
W H Audens Secondary Worlds
280
Dylan Thomas
290
Prophetic and Demonic Voices in Robert Lowells Poetry
296

Ezra Pound
126
D H Lawrence
162
H D Williams Moore Cummings and MacLeish
169
Wallace Stevens and Hart Crane
183
T S Eliot
194
Pasternaks Dr Zhivago and
310
A Brief Chronology of Modern Poetry 18571957
319
Index
329
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About the author (1996)

William Pratt, Professor of English at Miami University in Ohio, is the author or editor of several books, most recently Homage to Imagism.

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