The Grammar of Conducting: A Practical Study of Modern Baton Technique |
Contents
INTRODUCTION I | 1 |
tern 4beat the preparatory beat at the start applying | 13 |
THE ESPRESSIVOLEGATO PATTERN 4BEAT | 24 |
CHANGES OF RHYTHM AND TEMPO | 28 |
STARTING ON OTHER COUNTS | 31 |
THE 3BEAT | 40 |
SUDDEN CHANGES OF DYNAMICS | 52 |
CRESCENDO AND DECRESCENDO | 58 |
HOLDS I | 166 |
HOLDS II | 190 |
301 | 199 |
ACCENTS AND SYNCOPATION | 202 |
Discussion of Complete Works or Movements | 207 |
PHRASING | 216 |
DIFFERENT USES FOR BASIC PATTERNS | 229 |
ACHIEVING COMPLETE PHYSICAL CONTROL | 240 |
FACING THE ORCHESTRA | 66 |
THE 1BEAT | 83 |
THE MARCATO PATTERN | 91 |
START AFTER THE COUNT | 98 |
THE 6BEAT | 107 |
SUBDIVISION | 120 |
RESTS | 135 |
RITARDANDO AND ACCELERANDO | 144 |
THE TENUTO PATTERN | 158 |
ON PREPARATION IN GENERAL | 246 |
NUMBER OF BEATS IN A MEASURE I | 255 |
NUMBER OF BEATS IN A MEASURE II | 266 |
Michail Glinka Overture to Russlan and Ludmilla | 337 |
Claude Debussy Fêtes Festivals No 2 from | 347 |
Ruggiero Leoncavallo Prologue to Pagliacci | 354 |
INDEX OF MUSIC | 361 |
Copyright | |
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The Grammar of Conducting: A Practical Study of Modern Baton Technique Max Rudolf No preview available - 1969 |