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accompanist arpeggios artist audience aware Bach Baroque Bartok Concerto become Beethoven believe bow arm bowing technique Brigham Young University cadenza career cellist cello suites chord competition composer conductor dalton David Oistrakh difficulties double-stop down-bow edition elbow etudes example experience feel finger-board fourth finger frog hear heard Heifetz Hindemith hold the bow instance instrument intonation Kreisler Kreutzer left hand Leopold Mozart Lionel Tertis listener London String Quartet melody Milhaud movement Mozart never octaves open strings orchestra passage person piano piece pizzicato player playing the viola polyphony position practice Primrose's problems recital recording repertoire scales second finger shifting shoulder simply solo soloist sometimes Sonata sound staccato string quartet stroke student sure teacher teaching Tertis thing thumb tone transcription trill tune up-bow usually vibrato viola playing Violin Concerto violinists violists William Primrose wrist Ysaye