The Art of Fresco Painting: As Practised by the Old Italian and Spanish Masters, with a Preliminary Inquiry Into the Nature of the Colours Used in Fresco Painting, with Observation and Notes |
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afterwards Agricola Albin Almagre Amatito ancients Andalusia appear Armenino arricciato artificial artist Azzurro beautiful blue pigments Borghini brush burnish called carbonate of copper cartoon Cennino Cennino Cennini chap chapel Cinnabar coat damp dark distemper distemper painting draperies durable Esmalte executed figures finished flesh colour fresco painting gesso green ground Guercino imitate intonaco iron Italian Italy kind of painting laid lake Lapis Lapis Lazuli lime Lomazzo Luca Giordano Luis de Vargas manner marble Matita mentioned Michael Angelo mineral mixed mixture mortar native natural colours necessary ochre Pabonazo Pacheco painters painting in fresco painting on walls Palomino pigment Pisa plaster Pliny Pope powder practice prepared preserved proper Raffaello retouching Rome roof sand says secco shades shew Sinopia sketches Smaltino soft sometimes Spain Spanish stone stucco surface Terra Tierra Verde tints Treatise Ultramarine Vasari Verde vermilion Vitruvius writers yellow Zucchero