Cezanne is justly admired as one of the seminal artists of the modern era. He is the standard by which we measure ourselves as modern appreciators of art. This book, an essay in interpretation, proposes a way out of the impasse of formalism. Interpretation as pursued in this book proceeds on the conviction that a work holds more than meets the eye. For this submerged content to be apparent, however, the reader will be required to exercise a scrutiny more intense than is commonly the case.
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two Father Father
three The Donkey in Cezanne
five Double Trouble
4 other sections not shown
appears apples artist Auvers Baille Bathers pl Bay of Marseilles Black Clock bottle Bouffan Camille Pissarro canvas Cezanne painted Cezanne pere Cezanne's Cezanne's mother Chappuis color cryptomorphic Delacroix depicted donkey drawing edge Edouard Manet Emile Zola Emperaire erotic face fantasy female figure Five Bathers French Gasquet genitals graphic hand head hidden Hortense Hortense's identified imagery John Rewald Judgment of Paris L'Estaque landscape Large Bather later letter looks Louis-Auguste Louvre male Manet Marie Meyer Schapiro motif Musee d'Orsay objects oeuvre painter Paul Cezanne Paul fils pear phallic photograph picture picture's Pissarro plate portrait pose presence Provencal rebus reclining Reff relation Rewald Saint Anthony Schapiro seated seems seen Self-portrait shoulder shows side significance Six Bathers skull Standing Nude Still-life suggests surely symbolic Temptation of Saint theme tree tureen unconscious vase Venturi Venus watercolor zanne zanne's Zola's