Personal Places: Perspectives on Informal Art EnvironmentsThe human-constructed modifications of the environment and landscape examined in the essays collected here have been referred to as everything from piles of junk to the greatest accomplishments of humankind. |
Contents
AN INTRODUCTION | 1 |
The Baltimore | 15 |
VERONICA TERRillions WOMAN MADE HOUSE AND GARDEN | 41 |
TWO SOUTH CAROLINA Folk ENVIRONMENTS | 62 |
Nuestro Pueblo A Gift to the World | 72 |
THE SECOND AdAM And His GARDEN | 83 |
THE PAINTED Forest | 98 |
A RHETORICAL STUDY | 111 |
Ed GALLOWAYS PARK | 124 |
An Aesthetic Approach | 133 |
THE KANSAS GRASSROOTS ART ASSOCIATION | 148 |
Other editions - View all
Personal Places: Perspectives on Informal Art Environments Daniel Franklin Ward No preview available - 1984 |
Personal Places: Perspectives on Informal Art Environments Daniel Franklin Ward No preview available - 1984 |
Common terms and phrases
activities aesthetic American Andrews appear architecture artist asked Association Baltimore began behavior Bottle building built called carved castle cement City collection color completed concept concrete construction continued create creative culture Dinsmoor early environment evidence example experience explanation expression figure folk art Forest Friedlein Galloway Garden give going hand Harry human images Indian individual intentions interest Interview Italy Kansas landscape less living materials means motives moved Museum naive nature never Notes objects offered organization painted perhaps Photo pieces popular present preservation recycling rhetorical River Rodia scene Schmidt screens sculpture social statues stone story structures suggests symbolic Terrillion things thought took Towers tradition trees turn unique Veronica wall wanted window Woods yard York young