The Cinema of Ken Loach: Art in the Service of the People"The Cinema of Ken Loach: Art in the Service of the People examines the linking of art and politics that distinguishes the work of this leading British film director. Loach's films manifest recurrent themes over a long period of working with various collaborators, yet his handling of those themes has changed throughout his career. This book examines those changes as a way of reaching an understanding of Loach's style and meaning. It evaluates how Loach incorporates his political beliefs and those of his writers into his work and augments this thematic interpretation with contextual information gleaned from original archive research and new interviews."--BOOK JACKET. |
Contents
CHAPTER ONE Clear Notes in the Concert | 5 |
CHAPTER TWO What to do with a Camera | 23 |
CHAPTER THREE Sympathetic Observation | 59 |
Copyright | |
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actors argues audience Barny Barry Hines BBC1 Big Flame Billy Billy's Blanca Bob's Brechtian British broadcast Carla's Song Casper Cathy Come Home Cathy's Caughie characters cinema classic realist text close-up collaboration Coogan Dave David Days of Hope director documentary dramatise Dunn Dunn's Eileen emotional episode example experiences Farthing film cuts film-makers film's flashbacks Gamekeeper George Gryce Hill images intertitle Interview Jim Allen Joy's Junction Ken Loach kestrel Labour Ladybird Ladybird Land and Freedom lives Loach and Allen Loach cuts Loach's films London long shot Looks and Smiles Maggie Maggie's melodrama of protest Menges miners narrative narrator novel organisation performance perspective Petley political Poor Cow POUM Questions of Leadership Raining Stones Rank and File reveals says scene script sequence shooting social worker story strike Sugden talking television drama tells theme Thornett Tommy Tony Garnett union voice-over Wednesday Play woman writes