Museum Studies: An Anthology of ContextsBettina Messias Carbonell Updated to reflect the latest developments in twenty-first century museum scholarship, the new Second Edition of Museum Studies: An Anthology of Contexts presents a comprehensive collection of approaches to museums and their relation to history, culture and philosophy.
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Contents
Carbonell | 12 |
The Universal Survey Museum | 46 |
Museums in Theory | 51 |
Foreword | 59 |
A Feminist Perspective on Museums | 62 |
Narrativity and the Museological Myths of Nationality | 82 |
In this arrangement the majority of the texts appear in more than one category | 88 |
Victimhood Culpability | 97 |
Museum Philosophy in West Africa | 473 |
Artists Reflect Introduction | 491 |
Museums and Globalization | 510 |
Philip Fisher Art and the Futures Past | 517 |
The Use of Electronic Media at the National | 533 |
Relationships | 547 |
Museums Corporatism and the Civil Society | 549 |
Museums as Agents of Social Inclusion | 562 |
Natural History | 117 |
Letter of 1863 to Mr Thomas G Cary | 125 |
Washington D C and American Anthropology in 1846 | 129 |
Display and the Transformation | 142 |
The Development of Ethnological Museums | 158 |
Into the Heart of Africa and The Other Museum | 168 |
Anthropological Theory in Exhibitionary Practice | 177 |
Africa Museums and Memory | 189 |
The Role of the Museum | 199 |
The PittRivers Museum Oxford | 206 |
An Address | 213 |
Addresses on the Occasion of the Opening of the American Wing | 225 |
46 | 238 |
Representing Ourselves and the British | 244 |
Museums and the Formation of National and Cultural Identities | 260 |
Museums National Postnational and Transcultural Identities | 273 |
Architecture and the Scene of Evidence | 287 |
Memory Distortion and History in the Museum | 303 |
Museum Matters | 317 |
Into the Heart of Africa and The Other Museum Mary Bouquet Thinking and Doing Otherwise Anthropological Theory in Exhibitionary Practice Fra... | 324 |
Representing Ourselves | 329 |
Exhibitions and the Recomposition | 347 |
The Poetics and Experience | 357 |
Indigenous Models of Museums in Oceania | 373 |
Museums and the Native Voice | 377 |
Emerging Discourses around Identity in New South African Museum Exhibitions | 397 |
Aims and Principles of the Construction and Management | 411 |
Paul DiMaggio Cultural Entrepreneurship in NineteenthCentury Boston Part | 425 |
The Case of the Disappearing Holbein | 442 |
Sidney Moko Mead Indigenous Models of Museums in Oceania Gerald McMaster Museums and the Native Voice | 453 |
Art and the Futures Past | 457 |
A Tribal Maori Response to Repatriation | 575 |
A Meditation on Language | 590 |
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Source Acknowledgments | 615 |
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Common terms and phrases
active aesthetic African American appear approach architecture artists associated become British building called century collections colonial complex concept concerned consider contemporary context created critical cultural curators described discussion display early Edited effect established example exclusion exhibition existence experience fact function Gallery heritage human idea identity images important individual institutions interactive interest interpretation issues kind knowledge learning less lives London look material meaning memory museum narrative Native natural natural history objects offer organized original painting particular past period political possible practices present Press production Publishing question relation relationship representation represented response role seen sense social society space story structure suggest theory things traditional understanding University values visitors women York