European Film Music

Front Cover
Miguel Mera, David Burnand
Ashgate Publishing, Ltd., 2006 - Music - 206 pages
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The vast majority of writing on film music is concentrated on Hollywood in particular and on a canon of North American scores and films more generally. Recent scholarship acknowledges other traditions of film scoring but little has been written about Euro
  

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Contents

film music in Germany from 1927
13
the case of Italian neorealism
28
Carlos Saura and Pedro Almodovar
41
Music as a satirical device in the Haling Comedies
60
cinematic representations of classical music
73
music and space in the French heritage film
86
George Morrisons
100
Popol Vuhs music and Werner Herzogs films
116
the functions of music in the films of Theo
131
of Eleni Karindrou
136
the art of synergetic understatement
145
refraining silence music and masculinity
163
Scoring This Filthy Earth
178
Bibliography
191
Index
199
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