Dancing Female: Lives and Issues of Women in Contemporary DanceSharon E. Friedler, Susan Glazer Why do women choreographers choose to create the dances they do in the manner they do? How do women in dance work independently, and organizationally? How do women set up institutions? How has higher education helped or hindered women in the world of dance? These are some of the questions addressed through interviews and research by the dancers and educators Sharon E. Friedler and Susan B. Glazer in Dancing Female. Their exploration of the intimate and diverse world in which women create, teach, direct, perform and write is subdivided into two books. In the first they examine the ways in which women transmit their art from one generation to the next through their professional and personal relationships, raising critical questions about women choreographers, dancers, writers, educators and administrators. Chapters cover major Western theatrical dance genres: ballet, modern, jazz, tap and theatre dance. In Book II, "The Physical Body, Theory and Practice, and using the Knowledge," they consider the dancer's relationship to her art from three perspectives: her physicality, the theory and practice of dance that impact her career in psychological and spiritual terms, and finally, the cultural context in which she works. In dealing with some of the tensions, joys, frustrations and fears women experience at various points of their creative lives, the contributors strike a balance between a theoretical sense of feminism and its practice in reality. In Dancing Female Sharon E. Friedler and Susan B. Glazer present answers to basic questions about women, power and action. |
Contents
Part II | 21 |
Dance at the Bottom of the World in Argentina | 45 |
Mentors of American Jazz Dance | 57 |
Willis 59 | 59 |
Part IV | 105 |
Sexual Politics | 123 |
Feminist Theory and Contemporary Dance | 139 |
BOOK II | 175 |
Part VI | 195 |
Part VII | 227 |
Governance and Vision | 249 |
Love and Power among the Critics | 263 |
Political Issues of Jawole Willa Jo Zollar ArtistActivist | 279 |
How Can the Brown Female Subaltern Feminist Speak? | 293 |
List of Contributors | 309 |
Other editions - View all
Dancing Female: Lives and Issues of Women in Contemporary Dance Sharon E. Friedler,Susan Glazer No preview available - 1997 |
Common terms and phrases
aesthetic African American American Ballet American Dance artistic director audience Balanchine ballerina beauty Bella Lewitzky Bob Fosse Books Broadway career Catherine Littlefield Chicago choreographers concept contemporary dance continue costumes created creative culture Cummings Dance Company Dance Magazine dance world dancers Doris Humphrey Dorothie Education emotional experience explore feel female body female choreographers female dancers feminine feminist theory Flamenco gender identity images interview Isadora Duncan issues Jack Cole jazz dance learned Littlefield Ballet lives look male dancers Martha Graham Mary Mary Wigman mentor modern dance movement moving opera ballet performance Philadelphia Ballet Photo courtesy physical pioneers political post-modern post-modern dance postmodern dance present professional Rainer relationship role sense sensuality sexual social solo stage story style Susan tap dance taught teacher teaching technique Tharp Theatre traditional Twyla Tharp University Press Verdon Wigman woman writing York young